La intención de nuestro trabajo ha sido la de exponer la anticipación pragmática que realizara U. Eco en "Obra abierta", ya en 1962, insustituible para una hermenéutica de la obra de arte, que pone especial atención en la instancia del usuario, imaginando un lector modelo ejerciendo actos de libertad consciente para una obra que se presenta como abierta, a veces en movimiento, e invariablemente como metáfora epistemológica de nuestro tiempo.Hemos presentado algunos aportes que sobre el contexto han realizado lingüistas, aportes (...) que pueden trasladarse satisfactoriamente al campo de la estética, como adecuado límite a una multiplicidad infinita de sentido de la obra de arte, para servirle de gran utilidad, a pesar de que ciertas teorías ya clásicas de la Estética puedan haber pensado, en su momento, lo contrario.Finalmente, buscando algo diferente, con relación a los efectos de las obras de arte en sus gozadores, provocados intencionalmente por sus autores, hemos insertado ejemplos de experiencias propias y disímiles entre las mismas, como nos sucedió con J. L. Borges y con la banda de rock Los Redonditos de Ricota. (shrink)

The first part of this paper discusses five sets of forces that have had a major influence on world agriculture in the post-World War II period. These include (1) high rates of population growth in the developing countries; (2) a steady increase in economic integration world-wide, driven by technological breakthroughs in the communication and transportation sectors; (3) major realignments in the values of national currencies; (4) growing distortions in economic policies in both the industrialized and developing countries; and (5) growing (...) diffusion of new production technology from the industrialized to the developing countries.The second part reviews the changing role of international development assistance in support of agriculture in light of these historical forces. Such assistance successively stressed the development of extension services, food aid, institutional development of higher level education institutions, the development of research capacity, and rural development.A look to the future is the subject of the third part of the paper. This includes a discussion of the difficulties in sustaining U.S. foreign assistance, especially when that nation is letting its own economic house fall into such disarray. (shrink)

By any measure, Oliver Wendell Holmes, Jr., led a full and remarkable life. He was tall and exceptionally attractive, especially as he aged, with piercing eyes, a shock of white hair, and prominent moustache. He was the son of a famous father, a thrice-wounded veteran of the Civil War, a Harvard-educated member of Brahmin Boston, the acquaintance of Longfellow, Lowell, and Emerson, and for a time a close friend of William James. He wrote one of the classic works of American (...) legal scholarship, The Common Law, and he served with distinction on the Supreme Court of the United States. He was actively involved in the Court's work into his nineties. In Justice Oliver Wendell Holmes, G. Edward White, the acclaimed biographer of Earl Warren and one of America's most esteemed legal scholars, provides a rounded portrait of this remarkable jurist. We see Holmes's early life in Boston and at Harvard, his ambivalent relationship with his father, and his harrowing service during the Civil War. White examines Holmes's curious, childless marriage and he includes new information on Holmes's relationship with Clare Castletown. White not only provides a vivid portrait of Holmes's life, but examines in depth the inner life and thought of this preeminent legal figure. There is a full chapter devoted to The Common Law, for instance, and throughout the book, there is astute commentary on Holmes's legal writings. Indeed, White reveals that some of the themes that have dominated 20th-century American jurisprudence--including protection for free speech and the belief that "judges make the law"--originated in Holmes's work. Perhaps most important, White suggests that understanding Holmes's life is crucial to understanding his work, and he continually stresses the connections between Holmes's legal career and his personal life. For instance, his desire to distinguish himself from his father and from the "soft" literary culture of his father's generation drove him to legal scholarship of a particularly demanding kind. White's biography of Earl Warren was hailed by Anthony Lewis on the cover of The New York Times Book Review as "serious and fascinating," and The Los Angeles Times noted that "White has gone beyond the labels and given us the man." In Justice Oliver Wendell Holmes, White has produced an equally serious and fascinating biography, one that again goes beyond the labels and gives us the man himself. (shrink)

Each title in the "Key Issues" series aims to set the work in its historical context. In this collection of contemporary responses to "Leviathan", attention is focused on its critics who attacked Hobbes's moral, political and religious ideas in a series of pamphlets and short books.

To think the relationships which exist between Marxism and psychoanalysis obliges one to reflect upon the intersections between two theoretical fields, each composed independently of the other and whose possible forms of mutual reference do not merge into any obvious system of translation. For example, it is impossible to affirm—though it has often been done—that psychoanalysis adds a theory of subjectivity to the field of historical materialism, given that the latter has been constituted, by and large, as a negation of (...) the validity and the pertinence of any theory of subjectivity . Thus, no simple model of supplement or articulations is of the slightest use. The problem is rather that of finding an index of comparison between two different theoretical fields, but that, in turn, implies the construction of a new field, within which the comparison would make sense.This new field is one which may be characterized as “post-Marxist” and is the result of a multitude of theoretico-political interventions whose cumulative effect in relation to the categories of classical Marxism is similar to what Heidegger called a “de-struction of the history of ontology.” For Heidegger, this “de-struction” did not signify the purely negative operation of rejecting a tradition, but exactly the opposite: it is by means of a radical questioning which is situated beyond this tradition—but which is only possible in relation to it—that the originary meaning of the categories of this tradition may be recovered. In this sense, effecting a “de-struction” of the history of Marxism implies going beyond the deceptive evidence of concepts such as “class,” “capital,” and so on, and re-creating the meaning of the originary synthesis that such concepts aspired to establish, the total system of theoretical alternatives in regard to which they represented only limited options, and the ambiguities inherent in their constitution itself—the “hymen” in the Derridean sense—which, although violently repressed, rise up here and there in diverse discursive surfaces. It is the systematic and genealogical outline of these nuclei of ambiguity which initially allows for a destruction of the history of Marxism and which constitutes post-Marxism as the field of our current political reflection. But it is precisely in these surfaces of discursive ambiguity that it is possible to detect the presence of logics of the political which allows for the establishment of a true dialogue, without complacent metaphorization, between Marxism and psychoanalytic theory. I would like to highlight two points, which I consider fundamental, concerning these discursive surfaces. Ernesto Laclau is a lecturer in the Department of Government and director of the Graduate Program in Ideology and Discourse Analysis at the University of Essex. He is the author of Politics and Ideology in Marxist Theory and, with Chantal Mouffe, Hegemony and Socialist Strategy: Towards a Radical Democratic Politics . Amy G. Reiter-McIntosh is a lecturer and Ph.D. candidate at the University of Chicago. (shrink)

Aesthetics, fledgling of the philosophic brood, is the most suspect of that family. It is suspected of all the philosophical sins: vagueness, disorder, dogmatism, emotionalism, reductionism, compartmentalization. Sometimes its youth is thought to be a sufficient excuse for these divagations. Sometimes the very nature of its content, involving the waywardness of genius, the remoteness of feeling from intellect, the surd of inspiration in even the mildest appreciation, are believed to condemn aes thetics irrevocably to the underside of the civilized man's (...) domain. Some philosophers have gloried in this apparently mystical and a-rational quality and have seen in it the very nature of the beautiful; others have come to regard it, rather, as evidence of the unskillfulness of our minds and have turned away from aesthetic problems to the task of sharpening the aesthetician's language and logic. The laughter of the gods is not difficult to discern through the poetry of the more mystical aesthetician or through the prose of the analysts. Meanwhile the manifold complexities and problems of aesthetic experience invite our understanding. For aesthetic experience is a present fact of human life and may, perhaps, be understood by men. Such, at least, will be the present assumption. This is the reason why the title of this book mentions art together with analysis; for if art is intelligible, the work of art and the experience of it may be analyzed into its functional parts. (shrink)

There can be no question but that Lachelier exercised great influence over French philosophy. Gabriel Séailles notes it as do others. Boutroux remarked "il fut un excitateur singulièrement puissant des intelligences," and Benrubi places him with Ravaisson in initiating the tradition of spiritualistic positivism in France. Bergson also recognized and acknowledged his debt to Lachelier, although the tradition which Lachelier helped to father was opposed to Bergsonianism in many important respects. The two traditions can, I suggest, be recognized as dialectical (...) opposites of one another. (shrink)

What Science Offers the Humanities examines some of the deep problems facing the study of culture. It focuses on the excesses of postmodernism, but also acknowledges serious problems with postmodernism's harshest critics. In short, Edward Slingerland argues that in order for the humanities to progress, its scholars need to take seriously contributions from the natural sciences - and particular research on human cognition - which demonstrate that any separation of the mind and the body is entirely untenable. The author provides (...) suggestions for how humanists might begin to utilize these scientific discoveries without conceding that science has the last word on morality, religion, art, and literature. Calling into question such deeply entrenched dogmas as the 'blank slate' theory of nature, strong social constructivism, and the ideal of disembodied reason, What Science Offers the Humanities replaces the human-sciences divide with a more integrated approach to the study of culture. (shrink)

Dialectic, like love, has a good and a bad reputation. This ambivalence may be illustrated in different ways in almost every period of philosophical history. One may even suspect that this richness borders upon confusion. And yet, the attempt to orientate oneself in this jungle of meanings can be expected to be profitable, for the term “dialectic” has always referred, although often obscurely, to notions and processes of the first importance. The definition, illustration, and evaluation of the uses of this (...) term should, accordingly, be a task promising some value. (shrink)